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Lampadedromia, Puerto Rico 2004
Tadej Pogačar (Slovenia)
Deidre Hoguet (USA)
Peter Walsh (USA)
(Four Photo Galleries are Located
at the Bottom of this Page)
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In the Spring of 2004,
Slovenian artist and curator Tadej
Pogačar invited United States artists Deidre
Hoguet and Peter Walsh to join him in creating a new olympic
torch relay to carry the flame for Equipo Terrestre
(Team Earth), "The Supra-National Team," across
the commonwealth of Puerto Rico. Called Lampadedromia,
Puerto Rico 2004 after the greek word for torch relay,
the art project was commissioned in celebration of
PR_04:
Tribute to the Messenger, an arts festival sponsored by the Puerto Rican arts group
M&M
Proyectos. The flame itself was carried on two separate
occasions.
On the evening of Friday, May 28,
2004, San Juan residents joined with artists from around the
world to celebrate the opening of the festival in an elaborate
torch relay through the cobble-stone streets of Viejo San
Juan, the historic 400 year-old center of Puerto Rico’s
capital city (photo
gallery).
The following week the entire festival
moved to the town of Rincón on the west coast of Puerto
Rico. There, the Lampadedromia project was expanded
to become a torch procession that marked the public opening
of the festival’s Villa Olimpica. On Friday night, June
4th, an energetic group of townspeople from Rincón,
carrying the olympic torch, led a gathering of the artists
and curators from their town square at Iglesia de Santa Rosa
de Lima, down Calle Muñoz Rivera to Route 115 and on
into the artists’ compound (photo
gallery).
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Rincón residents
lead the torch procession,
June 4, 2004
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| Carrying the
torch along the promenade of the Paseo de la Princesa in
Viejo San Juan, May 28, 2004. |
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Map of the Torch Relay Route in Viejo San Juan.
(Click above for interactive map)
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Map of the Torch Procession in Rincón.
(Click above for interactive map)
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Background Information About the Creation of Lampadedromia,
Puerto Rico 2004
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While creating PR_04, the
festival organizers asked all of the participating artists
to concentrate on a given local reality in Puerto Rico, which
was the collective memory left behind from the unsuccessful
attempt to host the Olympic Games of 2004. Their aim was to
re-articulate the Olympic spirit to allow for new meanings,
and, in part, to reformulate that spirit in order to propose
a new Olympics, “Our Olympics,” which would include
both Puerto Ricans and the guest curators and artists.
As we (artists Hoguet, Pogacar and
Walsh) developed the torch relay project to help open the
PR_04 exhibition, we looked to history: both our
own and that of Puerto Rico. For Tadej, the history of his
own nation, Slovenia, was caught up with that of the former
Federal Republic of Yugoslavia, of which Slovenia was once
a part. In September of 1961 in Belgrade, Yugoslavian President
Tito had convened the first “Conference of Non-Aligned
Heads of State,” in part
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| La Rogativa, San Juan,
Puerto Rico |
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as a response to the growing threat of nuclear war between
the United States and the Soviet Union. A communist who had
also brokenYugoslavia’s ties with the Soviet bloc, Tito
brought together luminaries of what was then called the “Third
World.” Figures such as India’s Jawaharlal Nehru,
Ghana’s Kwame Nkrumah and Egypt’s Gamal Abdel
Nasser worked with leaders from 25 nations to look for new
alternatives in the struggle to create world peace and prosperity.
For Deidre and Peter,
who were busy grappling with the aggressive nationalism of
their own country, the United States of America, this idea
of a "third way" seemed like a great starting point
in the search for ways that would move human society beyond
the limits of national identity. Since in the Olympics athletes
carry the torch and compete on behalf of their countries in
a kind of simulation of warfare between nations, Deidre, Tadej
and Peter decided to create a pan-national team, Equipo
Terrestre (Team Earth), which would be open to everyone.
Instead of running for the "homeland," each torch
bearer was invited to choose their own reason for participating.
Examples of some of the actual personal dedications are: For
Freedom; Correr por el fuego del arte;
Por los niños del mundo; Por
la salud de mi mamá; World Peace;
For street cats; En homenage a la
Fundación Antorchas, Argentina; Mi
hija Claudia Sofía de solo 23 dias; Por
el Caribe unido nimporta la lengua.
When we began looking closely at the
history of Puerto Rico, we quickly realized that there were
many correspondences to our project. In particular, the country’s
quasi-national status as a Commonwealth of the United States
– not the 51st U.S. state, not an independent nation,
not a colony – seems to highlight the possibility of
a country successfully participating in the global economy
and yet still maintaining its cultural independence. Although
certainly imperfect, this model suggests that there may indeed
be alternatives to traditional forms of nationalism.
Also inspiring is Puerto Rico’s
long struggle against foreign imperialism that is well represented
in the story of the torch bearers of La Rogativa
(See the image above to the left). According to legend, during
the British siege of San Juan in 1797, the bishop of San Juan
led a group of women carrying candles and torches in a religious
procession through the town. The action, and the pealing of
the town’s church bells, successfully fooled the British
into believing that armed reinforcements had arrived, and
they withdrew their forces.
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Photo Galleries
from Lampadedromia, Puerto Rico 2004
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Acknowledgements
Projects like Lampadedromia
don’t happen without the support and hard work of many people.
Our thanks go out to all the members of Equipo Terrestre
and especially those who had the opportunity to carry the torch.
The graciousness and never-ending commitment of Michy Marxuach
and her team of volunteers with M&M Proyectos
made the entire PR_04 experience unforgettable and we would like
to thank you all for taking such good care of us. Special thanks
go out to those members of the staff who worked directly on the
torch relay including Denise Santiago, Jorge
Gonzáles , Angel *, Rafael
Marxuach and Julieta González. |
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All Content © Peter Walsh 2004
Any texts or images appearing on this website are available for reproduction
for free if they are used for personal or small-scale non-profit purposes.
Such usage should be properly credited. Wider distribution for institutional
or commercial use is available for licensing. |
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